Born in Saskatchewan and raised in the prairies, Tanya has been deeply influenced by the elements of nature, family and Christian beliefs. In the early 1990’s she began her journey as an artist to become a still-life painter working primarily in watercolours. As long as she can remember she has been drawn to the still life paintings of Old Masters, and says “they speak to me on a deeply emotional level”. Her inspiration originates from seeing nuances of light and shadow. In her work, she strives to capture the light through dramatization of a subject and show how light alone can transfigure an ordinary still-life subject, at a specific moment, into something magnificent or tender.
After almost a ten year interval from painting to raise her young family with her husband and working full time in the legal profession, she has returned to her passion. This time, she began to work with acrylics and oils, and as well began painting en plein air. She asserts that “The joy of en plein air painting never diminishes, but increases. It’s about being centered, being present, and receptive to the beauty of nature and how it can never be improved upon. I can’t match the Creator’s exquisite landscape, design, light or colors but I am delighting in learning what it takes to be a “plein air” painter. There’s a level of concentration that can’t be matched in the studio. For me, that practiced concentration begets seeing color, value, line and edges in a way I have never seen in the studio. You learn how to see light, and gradually you learn to paint the light.”
She is an artist striving to work in a classical way with traditional media and her aspiration after her hiatus remains constant. She never tires of the hushed silence of a still life and how the solidity of an object can be connected into a set up with an adjoining object of fragility. “I get lost in the choices and the beauty of balancing still life arrangements. When I have completed the arrangement of a set-up, I sit back and take a long moment just to savour its stillness.” That’s what she wants her viewer to experience. “See the light, to hear the stillness”, she says. Her first solo show is titled “Light in Life – Value Changes” because when she paints she says “I connect with the Spirit within me, the Light in my life, and that’s when I know how truly blessed I am to have this passion, and what a gift it is to have this privilege, of saying thank you with my brush”.

Biography – Tanya F. Bone, AFCA, NWWS


Awards/Credits
2010
Signature Member Status (NWWS) of Northwest Watercolor Society, Seattle,
WA, April, 2010

Signature Member Status (NWWS) of Northwest Watercolor Society, Seattle, WA, April, 2010

2009 Federation of Canadian Artists Third Prize – Canvas Unbound, April 2009
2009 NWWS Golden Artist Award, April 2009
2009 Signature Member status (AFCA) of the Federation of Canadian Artists, March 2009
2009 Federation of Canadian Artists Award of Excellence – Landscape Show, Feb. 2009
2008 The Old School House, Qualicum, BC – Third Prize, Plein Air Competition
2008 Opus Honour of Achievement Award – The Grand Prix d’Art
2007 Sheila Hugh McKay Foundation, Inc., Rothesay, NB
1995 Sheila Hugh McKay Foundation, Inc., Rothesay, NB

Juried Exhibitions

2010 Raymar Raymar Art Competition, Scottsdale, AZ-July 2010 Finalist
2010 Raymar Raymar Art Competition, Scottsdale, AZ - May 2010 Finalist
2010 FCA Still Life – Egg White and Boot Box
2010 NWWS 70th Annual Open – Prehistarbuck Ages
2010 FCA Landscape Show – Rock of Ages
2009 FCA Spilsbury Medal Show – Prehistarbuck Ages
2009 FCA Small, Smaller, Smallest – Autumn Tributary
2009 FCA Unbound on Canvas – Out to Pasture
2009 NWWS 69th Annual Open – Bequeath
2009 FCA Still Life (2) – Li’l Brown Jug and Valencias & Vase
2009 FCA Human Figure – The Scarf
2009 FCA Landscape (2) – Cement City and London Farm
2009 FCA Mixed Media - Bush’s Bequeath
2008 FCA Artists Choice – Si, Shoemaker
2008 FCA Mixed Media – Diego et Durer
2008 artSpacific Works on Paper (2) – Cape Disappointment and Finn Slough
2008 FCA Human Figure – Undraped on Drapery
2008 FCA Works on Paper – Sunny Side of the Street
2007 FCA Still Life – Laden Table
1998 FCA Exhibition – Granville Island
1998 FCA Exhibition – London Farm
1997 FCA Spring Open – Spring Tea
1997 FCA Postcard Picture – Country Time

Shows
2010 65th Annual Steveston Salmon Festival
2010 Septessence, A Group Show (FCA Juried Application)
2009 Paintings, by numbers – Cement City (September 25, 2009)
2009 Gateway Theatre (May/June)
2009 Doors Open (May 2 & 3)
2008 8th Annual Finn Slough Heritage and Wetland Society-A Bridge to History
2008 The Old Schoolhouse – Plein Air Grand Prix d’Art
2008 63rd Annual Steveston Salmon Festival
2008 2008 London Heritage Farm Art Show
2007 7th Annual Finn Slough Heritage and Wetland Society-Finn Slough/The Biosphere
2007 62nd Annual Steveston Salmon Festival
2007 2007 London Heritage Farm Art Show
2006 Solo Show – The View Gallery, Fraserview Church “Light in Life – Value Changes”
1998 Richmond Art Gallery – Perceptions – Group Show

Publications/Other Media
2010 Steveston Community Society News, August
2010 Art Avenue, July/August
2010 The Richmond News, June
2010 The Richmond Review, June
2010 Art Avenue, May/June
2009 Art Avenue, Image, Still Life Show, July/August, 2009
2009 Art Avenue, Article and Images, May/June, 2009
2009 Art Avenue, Image, February/March, 2009
2008 Opus Visual Arts Newsletter, Article, Issue No. 239, September 2008
2008 The Richmond Review, Article, August 7, 2008
2008 – 2009 Richmond Artists Guild Newsletter, Assorted Images and Articles
2006 Fraserview Mennonite Brethren Church – The View Art Gallery (website), Article and Image
1998 MAGAZINE COVER, Image “At the Market” Graphite Drawing Federation of Canadian Artists, Drawing and Painting Course Publication
1997 Canadian Artists’ News, Image, May 1997
1997 Canadian Artists’ News, Image, April 1997

Affiliations

Federation of Canadian Artists, AFCA

Northwest Watercolor Society, NWWS

Steveston Salmon Festival, Art Show Coordinator

Richmond Artists Guild

Richmond Arts Coalition






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